Bio

Pianist/composer Lynne Arriale’s career is graced by a love of melody and a joy of musical discovery. Arriale has performed on international concert and festival stages over the past 25 years. The consummate storyteller, she immediately connects with her listeners. JazzTimes wrote, "She achieves a special, deep connection with her audience, and the energy flows both ways. Arriale’s emotional authenticity allows her audience to feel and think along with her… Lynne Arriale’s music lies at the synaptic intersection where brain meets heart, where body meets soul. She is one of jazzdom’s most intensely unique voices."

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At the core of Arriale’s appeal is her ability to communicate with her band and listeners. "The poet laureate of her generation” (Jazz Police), her performances and recordings with her trio led to comparisons with the great trios of Bill Evans and Keith Jarrett, yet she has been consistently praised as having a "singular voice" as a pianist, leader, composer, and arranger. "I really can’t compare her to anyone," said recent collaborator and multi-Grammy winner Randy Brecker. "Her music transcends the word ‘jazz’ – it is just pure music."

Arriale was the first prize winner of the 1993 International Great American Jazz Piano Competition, and soon launched her touring and recording career. Her 13 CDs as a leader have topped the Jazzweek Radio Charts; Inspiration and Arise reached #1 and Come Together #3, Nuance #4 and were included on numerous "Best Of" lists, including The New Yorker and United Press International. Her tenth trio recording, LIVE (CD/DVD) was named one of UPI’s Best Jazz CDs and among The New Yorker Magazine’s Best CDs of the year. Solo was named one of the top CDs of 2012 by JAZZIZ Magazine, and Convergence was named one of the top 50 CDs of 2011 by JazzTimes. Arriale was #13 and #17 in the piano category for the 2015 and 2016 Downbeat Reader's Poll.

She was selected to substitute for Marian McPartland with the 100 Golden Fingers tour of Japan with iconic jazz pianists Tommy Flanagan, Hank Jones, Monty Alexander, Cedar Walton, Kenny Barron, Harold Mabern, Roger Kellaway, Junior Mance and Ray Bryant. Arriale has performed and/or recorded with jazz greats Randy Brecker, George Mraz, Benny Golson, Rufus Reid and Marian McPartland, to name a few. Her international performances on concert and festival stages include the Kennedy Center, Lincoln Center, Montreux, Burghausen, Gilmore, Spoleto Arts, Montreal, Monterey, North Sea, Stuttgart, Pori, San Francisco, Ottawa, Zagreb, Perth, Brisbane, Rouen, Cannes MIDEM, Sardinia, Rochester, Wigan, Poznan, Estoril, Palermo, Inverness, Cork and San Javier. Arriale has toured Brazil, Germany, Austria, Serbia, Poland, Switzerland, Italy, Croatia, France, Belgium,The Czech Republic, the Netherlands, Norway, Sweden, Denmark, Greece, Australia, Japan, Spain, Portugal, South Africa, England, Ireland, Scotland, Canada, China, South Africa and the U.S.

Arriale’s live TV and radio appearances and concert performances include Profile of a Recording Artist, NPR’s Weekend Edition, Jazz Set, Piano Jazz with Marian McPartland, NPR’s Jazz Piano Christmas, CNN/FN Biz, the BBC, Radio France and German National Television. Press features include Billboard, Downbeat, JazzTimes, JAZZIZ, BBC Magazine, The London Times and cover stories for JazzEd, One Way and M Magazines.

A devoted educator and Yamaha artist, Arriale is currently Professor of Jazz Studies and Director of Small Ensembles at The University of North Florida in Jacksonville. She has served as a faculty member of the Jamey Aebersold Summer Jazz Workshops, the Centrum Port Townsend Jazz Workshop, the Thelonious Monk Institute in Aspen and numerous clinics and workshops worldwide, including the US, UK, Europe, Canada, Brazil and South Africa. She is a member and piano pedagogy representative of The Jazz Education Network and has adjudicated the Montreux Jazz Competition, American Pianists Association Fellowship Awards, The Kennedy Center’s Mary Lou Williams Competition and the Jacksonville Piano Competition. With jazz icon Toshiko Akiyoshi, she was a featured mentor at The Mary Lou Williams Emerging Artist Workshop at the Kennedy Center.

Arriale’s affinity for music and specifically the piano was evident early on, but well outside a jazz context. Adopted as an infant, she grew up in Milwaukee and was given a plastic toy piano at age 3. Playing by ear, she soon had a repertoire of songs that she had learned from the radio and records, mostly from Broadway musicals. Throughout her school and college years, she studied classical music, earning a master’s degree before turning to jazz. “Discovering the unlimited creative potential and artistic freedom in jazz changed my life,” said Arriale.

Later she learned that her biological mother was a jazz vocalist; perhaps there is something to heredity, given her reverence for songful melodies. Motema Music's founder, Jana Herzen, refers to Lynne’s "singer’s-like" ability to connect with an audience… "Though she played the piano and not a sound came from her lips, I had the distinct impression I was listening to a singer."

 

Arriale always sings when she is practicing and composing. "I have found that the key to expressive playing and truly spontaneous improvisation is singing," says Arriale." I focus on the melody regardless of where spontaneous improvisation takes me. I search for the 'heart' of the song, find what makes it special to me and use it as musical inspiration. It is very important to me that my music has a vocal quality and a heart connection. It’s a lifelong process to teach my fingers how to sing."

“Lynne Arriale’s remarkable career is graced by a rare commitment to authenticity and vulnerability defined by careful craft and high artistic standards. It is precisely this willingness to remain so emotionally exposed that makes her performances so accessible to music lovers of all kinds” (All About Jazz).

 

SOLO (2012)

  • Named one of the top CDs of 2012 by JAZZIZ Magazine

  • Irish Times – 4 stars

  • Named Best CD of 2012 – Bird’s the Worm

  • #28 National Jazz Week Radio

  • Pick of the Week - EMusic

CONVERGENCE (2011)

  • DownBeat Magazine – 4 stars

  • #4 on National Jazz Week Radio Chart

  • Named in the Top 50 CDs of 2011 by JazzTimes

  • Named Ten Best New Jazz Releases of 2011 in journalist Ken Frankling’s “Jazz Notes”

  • ‘Dance of the Rain’ named in Frankling’s 10 Best New Songs of 2011 list

  • One of Jazz Police’s Essential CDs of 2011

  • Winner of the SESAC 2012 National Performance Activity Award

NUANCE (2008)

  • #4 Jazz Week Radio

  • DownBeat – 4 stars

  • The Guardian (London) – 4 stars

  • The Sunday Times (London) – 4 stars

  • CD of the month, Audio Magazine (Germany)

  • CD of the month, Stereo Magazine (Germany)

  • CD of the month, Fono Forum (Germany)

LYNNE ARRIALE TRIO LIVE (2005)

  • Selected in Billboard Magazine as one of Jazz’s Most Valuable Young Players

  • #17 Jazz Week Radio

  • Named one of United Press International's Best Jazz CDs

  • New Yorker Magazine’s Best CDs of the year

  • German Record Critics Award

COME TOGETHER (2003)

  • #17 on Billboard Jazz chart

  • #3 on Jazz Week Radio chart

  • Jazz Collector – 4 Stars

  • Best Jazz CD of 2003 – United Press International

  • SESAC’s (comparable to BMI or ASCAP) National Performance Activity Award

ARISE (2002)

  • #20 on Billboard jazz chart

  • #1 Jazz Week Radio

INSPIRATION (2000)

  • Pick of the Month, BBC Music Magazine

  • #1 Jazz Week Radio

  • New Yorker Magazine’s One of the Best 6 CDs of the year

  • German Record Critics Award

  • Jazz Review – Editor’s Choice

LIVE AT MONTREUX (1999)

  • Critic’s Choice – Reader’s Guide Magazine (Neil Tesser)

 

RECORDINGS

2017    Give Us These Days with Jasper Somsen, bass, Jasper van Hulten, drums, Kate McGarry  guest vocalist, Challenge Records, CR 73453

2016    Larry Coryell: Barefoot Man (Sanpaku), Larry Coryell, guitar, Dan Jordan, flute, saxophone, Lynne Arriale, piano, John Lee, bass, Lee Pierson, drums

2015    UNF Jazz Faculty CD, performed and was Assistant Producer 

2012    SOLO, Motema Music, MTM83

2011     Convergence with Bill McHenry, tenor sax, Omer Avital, bass and Anthony Pinciotti, drums, Motema Music,          MTM54

2008      Nuance with Randy Brecker, trumpet/flugelhorn, George Mraz, bass and Anthony Pinciotti, drums, Motema Music, MTM 00022, 2008

2005      LIVE with Jay Anderson, bass and Steve Davis, drums, Motema Music 00007

2005      Sara Caswell, But Beautiful, with Lynne Arriale, Rachel Caswell, Larry Kohut, Steve Davis, Arbors Records, ARCD19304

2004      Come Together, with Jay Anderson, bass and Steve Davis, drums, Motema Music MTM00001

2002      Arise with Jay Anderson, bass and Steve Davis, drums, Motema Music MTM71372

2002      Rachel Caswell, Some Other Time, with Lynne Arriale, Sara Caswell, Kelly Sill, Steve Davis, RNC1001

2000      Inspiration with Jay Anderson, bass and Steve Davis, drums, TCB Music 22102

2000      Sara Caswell, First Song, with Lynne Arriale, Rachel Caswell, Jack Helsley, Steve Davis, Double-Time,            DTRCD166

1999      Live at Montreux, with Jay Anderson, bass and Steve Davis, drums, TCB Music 20252

1999      Wolfgand Lackerschmid Quartet, Wolfgang Lackerschmid, vibes, marimba, Lynne Arriale, piano, Mike Sharfe,   bass, Steve Davis, drums, TCB Music, TCB 34202, recorded 1999, released in 2015

1998      Melody with Scott Colley, bass and Steve Davis, drums, TCB Music 99552

1998      Pat Harbison Quartet, After All, with Lynne Arriale, Jay Anderson, Steve Davis

1997      A Long Road Home, with John Pattituci, bass and Steve Davis, drums, TCB Music 97952

1996      With Words Unspoken, with Drew Gress, bass and Steve Davis, drums, DMP CD518

1995      When You Listen, with Drew Gress, bass and Steve Davis, drums, DMP CD511

1994      The Eyes Have It, with Jay Anderson, bass and Steve Davis, drums, DMP CD502